Borobudur consists of six square platforms topped by three circular platforms, and is decorated with no less than 2,672 relief panels and 504 Buddha statues of various types. The main dome, located at the centre of the top platform, is surrounded by 72 Buddha statues seated inside perforated stupas. The square base is 118 m (387 ft) long on each side, and the highest point 35 m (114 ft) above ground level.
The whole monument is constructed from dark grey andesite stone, and so synonymous has this become with Borobudur and other temples on the Kedu Plain, that Indonesian for the material is simply batu candi (temple stone).
Climbing the structure takes a little bit of effort, and the dark stone absorbs the sun's heat rapidly to make walking and climbing quite hot work by early afternoon. If you have but modest stamina or heat tolerance, you should start as early in the day as possible, and take plenty of water with you. Some free bottled water and coffee usually comes with the ticket for international visitors.
The single stupendously large structure can be divided into layers as follows:
The platform or foot at the base of the structure, which was clearly post the original construction and hides some reliefs, is of uncertain provenance and function. The main theories are that the platform was added to censor reliefs depicting earthly desires or ? rather more likely ? to buttress the subsiding structure and prevent it from collapsing. A section of the platform has been excavated at the southeast corner, showcasing some of the hidden reliefs underneath.
The bulk of the structure consists of six square terraces connected by steep staircases. Each terrace has reliefs in two layers on both sides, recounting the story of the Buddha's past lives and his enlightenment. The correct way to view the reliefs is to start from the east gate (the main entrance) and circulate clockwise.
The distinctive stupas of the upper levels of Borobudur
Above the square terraces, the structure suddenly opens up to reveal the final three circular terraces. Comparatively plain and unadorned, there are no more reliefs here just seventy two lattice work stupas ? domes housing half-hidden Buddha statues (many headless, some lost entirely). A bombing some years ago destroyed nine of them, but they have been well restored.
The peak of the structure is a central stupa. The two chambers inside the stupa are empty, and it is unclear whether they were empty from the beginning as a representation of nirvana, or whether they originally contained statues which were looted or lost. The site museum contains what might be a missing statue.
The monument's three divisions (the square terraces and central stupa at the peak are regarded as one division) symbolise the three realms of Buddhist cosmology, namely Kamadhatu (the world of desires), Rupadhatu (the world of forms), and finally Arupadhatu (the formless world).
There are six different postures of Buddha's statue from the bottom level to the top. These are contact with earth, giving and helping, meditation, fearlesness, teach and learn, and finally turning the wheel of dharma.
The Most Frequently Asked Travel Questions about Borobudur
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Borobudur Travel Guide from Wikitravel. Many thanks to all Wikitravel contributors. Text is available under Creative Commons Attribution-ShareAlike 3.0, images are available under various licenses, see each image for details.
